Embracing Projection

One of the ways we distance ourselves from the stranger within is by projecting our issues, our own shadow, on to someone else, as if they were really someone else’s issues or someone else’s fault.  We do this with greater and lessor degrees of consciousness.  Every one of us has projected onto others at some point and we have all been the subject of projection too.

Projecting onto others is a way of externalizing the source of our pain.  This happens when we are afraid to examine how we might be the source of our own pain.  It is easier to blame someone else and we can become quite skilled in rationalizing why it is about someone else rather than ourselves.  It is one more way of giving power and voice away.

“We cannot get from others what we have not given ourselves. We cannot receive all the goodness, love, beauty, and joy that is awaiting us if we shut it out, if we believe ourselves unworthy.” ~ Embracing the Stranger in Me: A Journey to Openheartedness

Sunset at the lake in Lake Park, MN

Sunset at the lake in Lake Park, MN

Learning to embrace that which we want to project, brings it home for healing. When we can do this we reclaim our power, reclaim our voice.

The other side of this is when we are the subject of projection.  It can be confusing when we are on the receiving end of projection.  It can appear in many ways from an angry outburst to a very logical rationalization of why we are portrayed as the antagonizer of the other person, why they somehow cannot do better, why they are stuck – because of something they believe we have done, somehow we have held them back – or so they want to believe.

One of the ways we can recognize projection is by the energetic impact that comes with it.  This energetic impact is often what creates the confusion within us, especially if we are new to the awareness of being projected upon.  For myself, I use to take it on, figuring there must be something wrong with me, something I could fix to make everything all right.  I gradually became aware that not all that was being projected onto me was mine. Then I needed to learn to discern what was mine to work on and what belonged to the person doing the projecting so I could let it go.  The mantra, “no one can create in my reality unless I let them” became a life affirming guide in the journey.

The fear was that what was projected on to me was my stranger in action, the stranger in me that I felt needed to be disarmed.  But the only way to disarm what we perceive to be the stranger is to embrace it. In the embracing of it we “take whole”, as my partner Jerry Nagel says in his work on World View, and we once again step into our power and our voice, inviting us into openheartedness in whole new ways.

The journey to open heartedness is not about being exposed in a way that is threatening or harmful.  It is about waking up and opening to the full range of emotional melody that resides within us—the full range, the rich textures of symphony that wants to make itself heard, not just a narrow range of notes played in isolation.  Through the journey to openheartedness, I am learning to live in and with vulnerability—not as weakness but as strength—and I am relying on emotions as a guidance system that is unfailing the more I learn how to use it.” ~ Embracing the Stranger in Me: A Journey to Openheartedness

My emotional guidance system will tell me when I am projecting, when I am being projected on, as I listen to it. It then is also a guide on what aspects of me, of the stranger in me, need to be embraced into wholeness of being.

Not Just Cover Design: Sacred Art

Like the book itself, the artwork on the cover of Embracing the Stranger in Me: A Journey to Openheartedenss, has a story of its own to tell.  It is a story of synchronicity and timing, one of flow, one of channeling and of ritual or initiation.  It is the story of two things, each percolating for years, each on their own.  The book, of course.  And the artwork. And not just any artwork – sacred art.  Sacred art for me and for the book.

The genesis of the artwork was a long brewing curiosity and interest in possibly getting a tattoo.  Around 2009, when I felt the birthing of the second half of my life, I began to imagine getting a tattoo.  I didn’t know what image I wanted, nor did I know where on my body I would want to put this image.  At one point, my son’s girlfriend found a fabulous shamanic image of a woman and a power animal – which I bookmarked and then lost when I got a new computer.

When my interest in a tattoo renewed itself, I began searching the internet for images, knowing I wanted a lion as part of the image. Nothing ever emerged that resonated deeply for me or that I wanted to put on my body in permanent ink.  And then, early in 2013, at the same time my book was moving to its publishing phase, a Facebook friend began to blog about her journey to a sacred tattoo and I knew I was supposed to pay attention.

Through this friend, I got in touch with sacred tattoo artist Tania Marie.  The tattoo was to represent the spiritual dimension of my journey so I shared a couple of chapters from the book that reflected this journey as well as other reflections on what I felt the tattoo was to represent.  Tania meditated on me and my journey and began to channel the design.  What she channeled, before even reading what I sent her, was very consistent and resonant with what I shared.

Around the same time, the publisher started asking me about any ideas I might have for the design of the cover of my book. It was the first time I put the two things together.  Without even seeing the design, it occurred to me that the spiritual skin just might become the artwork for the book cover.   When I saw the artwork, I knew it was so.

Kathy Sacred Tattoo DesignArtwork by Tania Marie

There is much story contained in the elements of the art which embraces the elements of earth, fire, air, water and spirit and I will share some of it here, largely in the words Tania shared with me.

The medicine woman is in the process of shapeshifting into the lion who is my journey partner since my first drumming circle experience in 2000.  The medicine woman wears feathers of the eagle or owl in her hair, entwined twigs and leaves of Mother Earth, his mane and her hair and shawl all merging and integrating.

A lotus essence, almost like ethereal fire, emerges atop the swallowtail butterfly, with energy integrating into the lion’s mane, the medicine woman’s hair and shawl. The butterfly is releasing and freeing its creative abundance and joyful breadth of life-giving and is a messenger of powerfully transformative healing and regenerative energy and symbolism across time of the precious miracle of life, hope, love, transmutation, magick, joy,

The art is hugely rooted in shamanism, centeredness, balance, groundedness, empowerment, expansion, opening, releasing and honoring, as well as deepening emergence – all symbols and allies in deep journey and in transformation which is in continual motion.  Such a humbling experience to be offered this gift to be put at my back as a symbol of deeper healing, gifts, growth and protection.

Kathy 07 natural - Version 2

Photo by John Coleman and Michelle Murton

 

When it was time to have the tattoo inked on my skin, I went to see Kyle Bowles at Soul Harbour, the same tattoo artist that my friend had used.  It was done in two sessions, the first to do the outline, the second to do the colour.  Many people have asked me if it hurt.  It is hard to explain.  It is pain and not pain at the same time.  The only way I could think of it was as an initiation – like I might have gone through in a previous time, as the medicine woman depicted in the art, ritual, something that had to be done.

I love the colour version of the tattoo on my back – Kyle and I picked out the colours and it is even better than I imagined it would be.  And it was the black and white original art work that was to adorn the cover of the book.  I sent it off to the publisher and the design team there sent it back with the colour and shading that was just perfect for the book.

The interweaving of story, synchronicity, beauty, love and joy. A depiction of one aspect of the stranger in me showing up in the fullness of the openhearted journey.

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Welcome to Embracing the Stranger in Me: A Journey to Openheartedness

A memoir is a strange beast. It is an attempt to distill an individual’s life’s experiences and lessons in story form with the hope that in the storytelling someone else sees a thread that resonates with their own life journey, that some inspiration arises or, at the very least, it is viewed as something worth reading.

CA red dress Day 1My good friend Christina Baldwin is known to say, “The shortest distance between two people is a story.”  My book, Embracing the Stranger in Me: A Journey to Openheartedness, is full of stories.  I am tempted to say by way of humour, “And some of them might even be true.”

When I found out I was adopted at the age of forty-six I learned that many stories I had been telling myself about myself and my life, that helped me making sense of my life and its journey, turned out not to be true.  They were small stories; like why I was shorter than all my immediate family members, why my hair turned grey at a young age, where I was born. It gave me pause. In discovering I was adopted, everything had changed.  And, yet, nothing had changed. It made me wonder what other stories I was telling myself about myself and my life that also might not be “true”.

Abraham-Hicks says the biggest disservice we do to ourselves is in telling “the truth” over and over again, keeping alive the stories we wish would go away, the ones we don’t like living into but which we continue to tell simply because “it is the reality of our situation”.  If we want to change our situation, we must tell a different story.  When we tell it often enough, it can shift the shape of our life, eventually becoming true since our minds do not know the difference between what is real and what is imagined.  This is why Napoleon Hill in his seminal work, Think and Grow Rich, said, “Thoughts are things.”  But it is a tough thing to grasp when many of us are attached to the suffering of our stories rather than the joy of them, to the human tragedy experience rather than the soul journey perspective.

I have been imagining myself as a writer and an author since high school when I enrolled in a journalism correspondence course (which I never fully completed), imagining I would enter a career of journalism (didn’t happen) and when I chose to write a novelette in my final year of high school for my English class instead of doing all the other assignments (the novelette did get completed and I still have it).

The first time I created a vision board for myself back in 1998, the first image that came to my mind unbidden was that of a podium, partly because I imagined myself as a motivational speaker and partly because there was something in me that just knew I had stories to share that maybe other people would resonate with.

The early gestation of my book was back then too and some of what is contained in the book was originally written a decade or more ago.  It is with a little bit of disbelief that I hold my first book in my hand, with copies already sold, readers already saying the most beautiful, heartwarming things about it, ready to send it further out on its own path into the world.

Stories and life journey do not happen in isolation. I am aware that these are my reflections, stories of specific moments in my life, moments that have intersected with others on the journey.  The way others have experienced these same intersections may be somewhat or vastly different than the way I have experienced them. Their experiences are their stories to tell but I would not be the person I am today without having crossed paths with these fellow journeyers, without having had the experiences that I did in relation to them, good, bad or otherwise.  For each and all of them I am grateful.

I share my stories as a way to dive into the deeper patterns that shape life, relationships, healing, and journeys. Even as I re-read and edited them, they moved me—sometimes to laughter, sometimes to tears. Even though I have spent a lot of time unearthing and living with these stories, some of them still have the capacity to delight and surprise me. My hope is that they do the same for you, that along the way you find your own intersection points with your story – or, at the very least, you enjoy stories of someone else’s experience – believable or not.

I imagine this blog will capture many of the soul journey stories, hosting self stories that used to all reside under the Shape Shift blog and that there I will continue to write about what I’m learning through the Art of Hosting work and world that is so much a part of my life and experience. Sometimes a post will show up in both places when it seems relevant.

I would also invite you to check out the Embracing the Stranger in Me Facebook page where I am already seeing a community of support and inspiration arise, fuelled by all who interact with it; as well as the Twitter page for the book.  And I would also love to see your comments here.

Thank you for intersecting with my journey now.  May you immerse yourself in the book or the blog or both and may your path rise up to meet you as you journey well.